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Showing posts with label Fantasy. Show all posts
Showing posts with label Fantasy. Show all posts

Batman v Superman: Dawn of Justice

Fearing that the actions of Superman are left unchecked, Batman takes on the Man of Steel, while the world wrestles with what kind of a hero it really needs.

Director: Zack Snyder
Writers: Chris Terrio, David S. Goyer.
Stars: Ben Affleck, Henry Cavill, Amy Adams.

Storyline

Following his titanic struggle against General Zod, Metropolis has been razed to the ground and Superman is the most controversial figure in the world. While for many he is still an emblem of hope, a growing number of people consider him a threat to humanity, seeking justice for the chaos he has brought to Earth. As far as Bruce Wayne is concerned, Superman is clearly a danger to society. He fears for the future of the world with such a reckless power left ungoverned, and so he dons his mask and cape to right Superman's wrongs. The rivalry between them is furious, fueled by bitterness and vengeance, and nothing can dissuade them from waging this war. However, a dark new threat arises in the form of a third man: one who has a power greater than either of them to endanger the world and cause total destruction!



User Reviews

I am drawn back to when this movie was first announced and how I despised the notion of a Batman V Superman film a la Freddy vs Jason, Alien vs Predator and so on. It all seemed like a huge gimmick to me and I expected the worst for this movie. Fast forward a couple years, I am sitting down at a private screening, the lights go down and the movies opens up. The opening sequence was not what I expected but shows Snyder's visual creativity in a similar manner as he did with the opening sequence of Watchmen. 

We are hearkened to the Black Zero Event, only we see it from Bruce Wayne's perspective as shown in some of the trailers. I love that Snyder uses Bruce's as the eyes of the audience to get an outside perspective of the surrounding madness and destruction, and he does it very effectively. You are mad at these beings, you feel the terror, the confusion the anger for them bringing there war here, it plays out with spectacle and sadness. 

I had reported a rumor about Scoot Macnairy's characters months back and was called out by Ocelot and others several times on things I reported, well turns out it was true. Something tragic happens at the hearing and it is our insight of how cunning and vicious this Lex Luthor is. 

The overall story is well woven and much better than MOS, you can definitely breathe a sigh of relief in that Terrio does a great job of crafting this all together. The movie is a visual tour de force as we have come to expect with Snyder but let me just say that his directing has also improved. For those who moaned about the shaky cam and muted colors, they will be pleased. Performance wise. EVERYONE does an outstanding job, the standouts to me were Affleck, Eissenberg and Gadot. I was not on the Ben, Gal, Jesse hate wagon, though I found Eissenberg's casting questionable but I felt he had shown that he has some capable range of pulling it off. Affleck is Bruce Wayne, Affleck is Batman, talk about casting redemption. Similar to Reynolds, GL>Deadpool. Affleck should no longer be bogged with complaints about Daredevil. 

For those that hated on Gadot, suck it, she owns the role in every way possible, she really has stepped up her acting game as well. The woman has presence as Diana, grace and beauty and as Wonder Woman, she is truly a Goddess. People were moaning about Gail's size, forget that nonsense, she proves she does not need bulking muscles to be a warrior and her fight scenes are exceptional, makes Faora look like she was waltzing. Eissenberg, well well well. Let me first say I thought the best versions of Luthor were from the Lois and Clark and Smalville TV shows but Jesse brings something totally new to the game. 

Jesse plays his Luthor like a true devil. He is deceiving, manipulative, conniving, that line the Devil will do it, he is referring to himself to me. I could not help but see him like a Lucifer in his role and wondered if Jesse kind of based playing his character that way. Everyone else support wise was absolutely great. I do not want to write a long report of praises so let me see if I can cap off before getting on my flight. The fight set up was a little weak but boy the pay off was spectacular. Cavill I feel needs to step up a little more, granted he was wonderful but he was out shined. He needs to get beyond that distraught expression that he likes to use because he does it to death in this and I found that annoying. 

The other member intro's were great and will have you all pumped for the JLA, the Knightmare scene was horrific and impactful and made me smile like a little geek. The final fight was amazing. Never in a CBM have we seen anything like it, yes I said it NEVER and lastly, I will say the movie does end on a heart wrenching note but a wink in the end. I loved it gave it a 9 and looking forward to seeing it again next week. If you guys have any questions ask I am going to be on a plane for the next 6-7 hours so will try to respond. I may have exaggerated about it being 10X better than MOS but I will say 5X better.

Star Wars: Episode VII - The Force Awakens

Three decades after the defeat of the Galactic Empire, a new threat arises. The First Order attempts to rule the galaxy and only a ragtag group of heroes can stop them, along with the help of the Resistance.

Director: J.J. Abrams
Writers: Lawrence Kasdan, J.J. Abrams.
Stars: Daisy Ridley, John Boyega, Oscar Isaac.

Storyline

30 years after the defeat of Darth Vader and the Empire, Rey, a scavenger from the planet Jakku, finds a BB-8 droid that knows the whereabouts of the long lost Luke Skywalker. Rey, as well as a rogue stormtrooper and two smugglers, are thrown into the middle of a battle between the Resistance and the daunting legions of the First Order.



User Reviews

Have you ever disagreed with someone about the quality of a production so intensely that you've wondered if the two of you even watched the same film? I'm sorry, everyone in the world, I thought The Force Awakens was a real snoozer. I'm not surprised that my eight year old nephew loved it, but I can't for the life of me figure out why the degree-holding adults I associate with aren't offended at what we've been offered by Abrams as the continuation of the world's foremost loved space epic. 

Essentially what it feels like is a reboot of the original series, except this time for kids (no surprise there, Disney), not a meaningful continuation that picks up where the originals left off. Although I did start having my doubts about my future satisfaction with the Star Wars franchise when Disney made its Star Wars paraphernalia so pervasive that one morning I found myself unconsciously buttering my toast with DeathStar Margarine Spread©. Yeah—head trip, but I got over it. 

There was virtually zero discussion within the movie itself as to what happened after episode Vl and how we got to where we are now, making this production feel like a desperate lurch to be a stand-alone and to appeal to an audience who is too young to have appreciated the Spice Girls let alone the originals. This direction may be satisfying for some, but for those of us who were expecting more we may find ourselves doused in dissatisfaction. Furthermore, I was saddened by the obvious deficiency surrounding the exploration of the mythology of the Force. One of the elements that so intrigued viewers about the originals was the underlying spirituality and the metaphysical forces at play within the Star Wars universe; however, in this version of Star Wars Abrams seems to care more about the characters ceaselessly running away from things and having meaningless, often silly conversation (like in one scene the character Finn asks Rey in the goofiest way possible if she has a boyfriend—I laughed but I was so ashamed) instead of exploring the depths of some of the most intriguing supernatural philosophy in all of moviedom. However, this fact is not surprising as the masses seem to be entertained predominantly by action, comedy, flashing lights, and explosions, not exploring the psychological latitudes of light and dark within the human soul, and definitely not sitting through slow scenes of dialogue which could (God forbid) give us an understanding of the depths of the Star Wars legend and mystery. I suppose in this regard (and in too many others) Abrams gave the people what they wanted.

Not only was the confined exploration of the Force disappointing but so was the serious lack of emotional poignancy. At no point, AT LITERALLY NO POINT, did I feel sad, frustrated, anxious, worried, or exhilarated during its belabored two hours and sixteen minutes. The characters felt like they could be potentially cloned from any PG-13 teen movie you've seen since Twilight hijacked the world and forced it's twisted, disgusting version of acceptable adolescent stereotypes upon us. You could almost swap out the light-sabers, tie-fighters, and storm troopers and you'd have a great sequel to whatever the hell number Hunger Games we're on these days (because that's how interesting the rest of the plot was). 

Another thing that really annoyed me was the way in which the galaxy was too American. Of course I get it, it was made by Hollywood IT IS American, but guys, this is supposed to be in a GALAXY FAR AWAY, so why was there very little attempt made to try and hide that? Between the all too familiar mannerisms, jokes, and language I just couldn't fully suspend my disbelief. In my opinion, the originals managed to avoid most overt use of cultural indicators, I mean sure, it's impossible to avoid all due to obvious limitations, but watch the main character Finn carefully during the movie and you'll see that he's dripping with 21st century western American dude. Like literally drenched. Where was the otherworldly authenticity among the main characters? 

Of course it wasn't all bad. The visuals were beautiful, much of the topography and effects were breathtaking, and I have to admit that I did feel pangs of nostalgia over any scene that included an X-wing, but overall it wasn't enough. Really a lot of what it comes down to is expectation (and perhaps a sprinkle of intelligent awareness). So many people have told me that they went into it not expecting too much and that they had "fun" watching it; and then there's me sitting here thinking: what on Tatooine are they talking about? With all the media hype this film received, not to mention the disappointment of the prequels, I was expecting a hell of a lot out of this movie, and simple "fun" ain't gonna cut it. Abrams seemed to have carved the profundity and soul out of Star Wars with a lightsaber— the same soul we've been waiting to enter our lives again ever since the prequels ruined them. 

The Force Awakens was half way there, but it felt forced (pun intended), shallow, in need of a more refined plot, more mature characters, a deeper spirituality, moral complexity and depth; it needed to resonate more deeply with the IMPORTANT themes of the original, and to not have felt like a chaste teen romance with some old faces in there used like a box office tractor beam. If you're content with having your childhood favorite epic turned into a lovable, easily digestible icon of twenty-first century pop culture, marketed intentionally at young people to delight, entertain (and make many million corporate dollars) whilst simultaneously causing you to cringe at the fact that the original actors are okay with such a disservice to a time-proved story then you will love the continuation of this franchise! 

May the force save us from this trilogy.

The Hobbit: The Desolation of Smaug

The dwarves, along with Bilbo Baggins and Gandalf the Grey, continue their quest to reclaim Erebor, their homeland, from Smaug. Bilbo Baggins is in possession of a mysterious and magical ring.

Director: Peter Jackson
Writers: Fran Walsh (screenplay), Philippa Boyens (screenplay).
Stars: Ian McKellen, Martin Freeman, Richard Armitage.

Storyline

After successfully crossing over (and under) the Misty Mountains, Thorin and Company must seek aid from a powerful stranger before taking on the dangers of Mirkwood Forest--without their Wizard. If they reach the human settlement of Lake-town it will be time for the hobbit Bilbo Baggins to fulfill his contract with the dwarves. The party must complete the journey to Lonely Mountain and burglar Baggins must seek out the Secret Door that will give them access to the hoard of the dragon Smaug. And, where has Gandalf got off to? And what is his secret business to the south?



User Reviews

After seeing the first Hobbit film I must admit that I could have cared less about seeing the second and indeed it took me a minute to get back into it and I was grateful for the film giving me a "12 months earlier" scene to sum up what I am supposed to be following. It wasn't that the first film was bad (it is too expensive to be bad) but more than constant action and movement with no consequences or realism to engage me, really left me looking at a video game that I had no investment in (and I say this as a gamer). I didn't hope for much better when I went to see this sequel and, as Theo Robertson has said, perhaps this helped me enjoy the Desolation of Smaug more.

The plot has more to it than one encounter after another and connecting it to the later films was a good move that made me feel there was more content here – although I think that was artificial, I will not deny that it worked. The action sequences retain the same problems as the first film, which is that nobody ever feels like they are in real danger no matter how long the fall, how low the odds or what is happening. The good thing is that because the film isn't one escape sequence after another, I didn't feel this so often – although it is undeniably still a problem in these films. The characters were a little better than before although perhaps I was just more interested in them. Smaug in particular is a great creation – visually and stylishly; just like the first film where my favorite parts were the still and tense sequences with Gollum, so too here the high point of the whole film is where Smaug is toying with his potential victims and it is such a shame that this was not done longer.

Visually the film remains a feast – although, befitting the time of year, it is a Christmas feast where everything is good but it is endless and eventually just feels indulgent and gluttonous. This remains the case because the film almost never feels like it was shot wholly on a location. I remember the LotR films impressing me with their natural beauty but here even a shot of people walking across a field seems to have been digitally enhanced and, as good as it looks, it does remove me from the film somewhat. Visual effects are impressive but it does really hurt to see Jackson leaning towards the George Lucas "if we can do it then we should do it" school of effects management. The cast do solid jobs – I liked Freeman and McKellan when they were allowed to be more than just special effects The dwarfs made more of an impression on me this time but the elves not so much – Bloom remains stiff while Lilly sports the only unconvincing effect in the film in the shape of her ears. Cumberbatch was strong as the voice of Smaug and I enjoyed Fry and McCoy in supporting roles (shame the latter missed out on more time due to his Doctor Who efforts during the 50th anniversary year!).

The Desolation of Smaug is a solid blockbuster; lots of action, a decent story and strong special effects – this is not the same as saying it is a great film though, but it does still entertain. The story remain distant due to the invincible characters and consequence free (but very seriously presented) action, which does prevent one being drawn into it. Of course I'll be there for the final film, but I really do hope than they focus on danger rather than spectacle and build the tension instead of just increasing the noise.

Pirates of the Caribbean: The Curse of the Black Pearl

Blacksmith Will Turner teams up with eccentric pirate "Captain" Jack Sparrow to save his love, the governor's daughter, from Jack's former pirate allies, who are now undead.

Director: Gore Verbinski
Writers: Ted Elliott (screen story), Terry Rossio (screen story).
Stars: Johnny Depp, Geoffrey Rush, Orlando Bloom.

Storyline

This swash-buckling tale follows the quest of Captain Jack Sparrow, a savvy pirate, and Will Turner, a resourceful blacksmith, as they search for Elizabeth Swann. Elizabeth, the daughter of the governor and the love of Will's life, has been kidnapped by the feared Captain Barbossa. Little do they know, but the fierce and clever Barbossa has been cursed. He, along with his large crew, are under an ancient curse, doomed for eternity to neither live, nor die. That is, unless a blood sacrifice is made.



User Reviews

A damn good movie. One of the best of 2003 in my view.

This movie made me laugh, and it really pulled me in.

At first I was afraid this would be another bad Pirate movie. I went to see it anyway, as I've always loved the legends of pirates, and I love adventure. I saw it once. Then twice. Then Quadrupul. Then six times. And one more 7. And now I eagerly wait for the DVD in Australia.

What i'm saying is I couldn't get enough of this movie. It was so well done.

Johnny Depp was hilarious a Jack Sparrow, and acted like a true Pirate. His obsessive drinking antics, and his walk really brought out this chaqracter. Plus he made character we could all love and enjoy, that deserves an Oscar in my view.

Geoffrey Rush played Barbosa the bad guy. Who turned out to be quite a good bad guy in my view. He showed real potential, and I loved the way how he manipulated people.

Keira Knightley plays Elizabeth, the governor's daughter. Prisoner of the Pirates. She is quite momorable in this role, and is a great jump for her evergrowing popularity.

Orlando Bloom plays Will Turner. A simple blacksmith, who is also a well trained swordsman. Who is in hot pursuit of saving Elizabeth from the Pirates.

The more memorable thing about this though is the curse. A well thought out curse. That can always lead to sequel or a prequel. You'll see what I mean when you watch it.

The story is based on these Pirates who happen to be cursed, and they want to rid the curse. To do that they need the blood of a pirate, not just any pirate but the son of Bill Turner- William Turner. Mistaken for Bill Turner's child the pirates Capture Elizabeth, and take her hostage, while William teams up with a Rogue pirate, Jack Sparrow, who is on a streak for revenge against Barbosa. While all at the same time are being chased by the british fleet.

A great adventure. Well played swordfighting. Great laughs. Great music. And great story. Pirates are back in my good book.

The Lord of the Rings: The Return of the King

Gandalf and Aragorn lead the World of Men against Sauron's army to draw his gaze from Frodo and Sam as they approach Mount Doom with the One Ring.

Director: Peter Jackson
Writers: J.R.R. Tolkien (novel), Fran Walsh (screenplay).
Stars: Elijah Wood, Viggo Mortensen, Ian McKellen.

Storyline

While Frodo & Sam continue to approach Mount Doom to destroy the One Ring, unaware of the path Gollum is leading them, the former Fellowship aid Rohan & Gondor in a great battle in the Pelennor Fields, Minas Tirith and the Black Gates as Sauron wages his last war against Middle-earth.




User Reviews

Peter Jackson has done it. He has created an all-encompassing epic saga of Tolkien's Lord of the Rings books, and after coming away from the final chapter, how does this rate not only as a film on its own, but as a part of the whole?


Perfect.



I've never seen a series like this. A trilogy of movies created with such love and care and utter perfection of craft that you can't help but walk away and wonder how did Peter Jackson make this possible? I have always loved the original "Star Wars" and "Indiana Jones" series for their epic storytelling, and just for just fitting in as a great moment in cinema. This should be, will be, remembered with as much revered fondness for generations to come. They do not make films like these anymore.



As a stand alone film, it picks up immediately where "Two Towers" ends, so brush up before seeing it. I've read the books, and the anticipation of seeing some of the more profound moments in this film made me kind of view it with a rushed sense of perspective. I wanted to make sure everything in this film was done "right". And when it happened, it was. I will need to see this again to enjoy everything on a more casual level.



The cast comes through once more. The musical score retains its beauty, elegance and power. The special effects, notably Gollum again, are nothing less than breathtaking, and simply move the story along. The battles are monumentally huge and exciting. There are some liberties taken with the story, especially during the end with the homecoming, and yet, everything that needed to be covered regarding the main characters was handled. After the greatest moment of the series resolves itself, the story provided a breather. And gives a good-bye to friends seen on screen for the last three years. It was truly a bittersweet feeling in realizing that there will be no "Rings" movie in 2004. I will miss this talented group of actors.



As with the first two, the film is very long, but goes by without you ever truly realizing it. This film is so much more than a simple "fantasy" epic. It's a story about strength of character, friendship, loyalty and love. And while every member of the Fellowship has their part to play, I finally understood why some critics have said this series is a story about Sam. It's his unwavering resolve that led the quest to its victory. Sean Astin is a true credit for adding the inspirational heart to this epic. As as far as the ending goes, they ended it the way that it had to be ended. Jackson ended this film the way it should have been.



I will miss looking forward to a new "Rings" movie, but these movies provide hope that high-quality films can still be made without special effects taking over a story, bathroom humor, or a "Top 40" soundtrack. George Lucas could learn a lot from these films about how not to alienate the fanbase.



Each film has earned a "10" from me for the last two years, which for me to give is a rarity. This one, however, is as equally deserving as its two predecessors. The Academy had better not look over this film for "Best Picture" of 2003. To do so would be greatly disrespectful of the craft and care that anyone involved with these films put into them.

Dog Soldiers


 A routine military exercise turns into a nightmare in the Scotland wilderness.

Director: Neil Marshall
Writer: Neil Marshall
Stars: Sean Pertwee, Kevin McKidd, Emma Cleasby.

Storyline

A British Squad is sent on a training mission in the Highlands of Scotland against Special Operations squad. Ignoring the childish "campfire" stories heard about the area, they continue with their mission and come across the bloody remains of the Special Ops Squad, and a fierce howling is pitching the night sky... With two mortally wounded men, they make an escape, running into a zoologist by the name of Megan - who knows exactly what hunts them. What began as what they thought was a training mission turns into a battle for their lives against the most unlikely enemies they would have expected - werewolves.



User Reviews

 

American Werewolf in London, was always my favourite werewolf movie. well, this is better!

The cast are not widely known, familiar faces, but no star names, yet they all give first class performances. The dialogue is slick and realistic and the plot and characters build very well.

The gore is truly realistic and looks painful at times, similar to some of the scenes at the start of Private Ryan.

Most of the characters are rock hard nutter's, and they spout off cheesy lines like 'Come and ave a go if you think your hard enough!' and 'I Hope i give you the Sh*t's, you F*ck*n Wimp!' said just after a great fist fight with a werewolf and just before he is about to be eaten.

At no point does this movie try to take itself seriously, and that's why its so good. It really is very funny and at the same time pretty realistic (for a werewolf film). If you like the genre you simply have too see this film, if you don't your missing a treat.

Versus

There are 666 portals that connect this world to the other side. These are concealed from all human beings. Somewhere in Japan exists the 444th portal.... The forest of resurrection.

Director: Ryûhei Kitamura
Writers: Ryûhei Kitamura, Yudai Yamaguchi.
Stars: Tak Sakaguchi, Hideo Sakaki, Chieko Misaka.

Storyline

Set in the present where a group of ruthless gangsters, an unknown woman and an escaped convict have met, unwittingly, in The Forest of Resurrection, the 444th portal to the other side. Their troubles start when those once killed and buried in the forest come back from the dead, with the assistance of the evil Sprit that has also come back, come back from ages past, to claim his prize. The final standoff between Light and Dark has never been so cunning, so brutal and so deadly. This is where old Japanese Samurai mysticism meets the new world of the gangster and the gun. Gruesome, bloody and positively bold.



User Reviews

 
Boy, oh, boy. They don't make them like this anymore and boy, do I wish I had written this flick. This is a movie living and breathing (so to speak) cult following. "Versus" is a thrilling, fast and furious action-horror-comedy-martial arts actioner directed by Ryuhei Kitamara and features a bizarre and original plot line that's virtually nonexistent.

The irony is, even though it's original, the film spends very little time explaining its more complicated bits and gets great mileage out of the Japanese actors, none of whom have real names, other than two or three-word descriptions like the grungy, tough-talking anti-hero "Prisoner KSC2-303" or "The Girl" or "Yakuza Leader with Butterfly Knife." Real deep characters, huh?

The plot is simple, if confusing, and all seven minutes of it occur within the first few scenes: In Japan's "Forest of Resurrection," two escaped convicts are on their way to making a rendezvous with a group of fellow gangsters. A shoot-out occurs over a disagreement between KSC2 and the Yakuza leader regarding a kidnapped young woman in the trunk of his car - The Girl; one of the men is killed, and so is KSC2's buddy.

KSC2 and The Girl run off into the forest, but after he, and each of the gangsters put 50 bullets into the reanimated corpses of KSC2's buddy and the dead gangster. Soon, KSC2, The Girl, and the gangsters realize something is not right about the woods they had set up as a prearranged meeting spot, and it isn't long before they're all emptying clip after clip into the zombified corpses rising up from their shallow graves in the forest floor. (On a side note, I don't think any of the gangsters ever run out of ammunition.)

As it would turn out, the gangsters have been using the forest as a burial ground for their victims, and they're coming back to settle a score with their killers. Since this is the Forest of Resurrection, all the bodies of slain gangsters are rising from the dead and fighting against their living enemies. That's about all there is to the plot, and all you need to know.

This is a strange gem right here, folks. I don't think there's single production in Hollywood that could touch this movie in terms of style and subject matter. It looks fantastic, really giving the woods a life of its own (so to speak), and the mood of the film is effectively surreal. (It kind of reminds me of "The Evil Dead" in a few ways.) "Versus" ultimately plays out like a collision between every low-budget zombie movie, John Woo shoot-'em-up picture, and action movie we've ever seen. Now in Hollywood, ladies and gentlemen, we call that originality.

"Versus" is a skillful blend of each genre and it never loses sight of the main conflict between escaped convicts and gangsters; the zombies are merely a nuisance - who at first appear to be an interference with shadowy gangland activities. But as it would turn out, however, there's more to the story, and the Forest of Resurrection, as well as the zombies somehow figure into a plot that's best explained by the main villain of the picture, a stranger who I presume is The Man (since as I said before none of the characters have real names), who seeks The Girl to use her in his quest to achieve immortality, or something like that.

It's also pretty funny too. Much of the comedy in this movie arises from one panicky gangster member and two horribly disfigured police officers (whom I'm not sure are dead and resurrected or just badly injured) who have vowed to bring down the escaped convicts. And the corny one-liners (ever-present in the American dubbed version) will definitely get you laughing at its attempts to sound cool to our braindead audiences.

Even though "Verses" is not rated, it's extremely bloody with enough over-the-top gore to please any American gorehound or fan of zombie pictures. It's also got enough martial arts action and Woo-style gunplay to satisfy anyone who's gone into the film thinking this is a samurai picture (from looking at the DVD cover art).

"Versus" will definitely win on the cult circuit; whether it's ready to take on the American mainstream is a question that only time will answer. We'll just have to wait and see who the winner of that titanic battle will be...
 
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