Pirates of the Caribbean: The Curse of the Black Pearl

Blacksmith Will Turner teams up with eccentric pirate "Captain" Jack Sparrow to save his love, the governor's daughter, from Jack's former pirate allies, who are now undead.

Director: Gore Verbinski
Writers: Ted Elliott (screen story), Terry Rossio (screen story).
Stars: Johnny Depp, Geoffrey Rush, Orlando Bloom.

Storyline

This swash-buckling tale follows the quest of Captain Jack Sparrow, a savvy pirate, and Will Turner, a resourceful blacksmith, as they search for Elizabeth Swann. Elizabeth, the daughter of the governor and the love of Will's life, has been kidnapped by the feared Captain Barbossa. Little do they know, but the fierce and clever Barbossa has been cursed. He, along with his large crew, are under an ancient curse, doomed for eternity to neither live, nor die. That is, unless a blood sacrifice is made.

User Reviews

A damn good movie. One of the best of 2003 in my view.

This movie made me laugh, and it really pulled me in.

At first I was afraid this would be another bad Pirate movie. I went to see it anyway, as I've always loved the legends of pirates, and I love adventure. I saw it once. Then twice. Then Quadrupul. Then six times. And one more 7. And now I eagerly wait for the DVD in Australia.

What i'm saying is I couldn't get enough of this movie. It was so well done.

Johnny Depp was hilarious a Jack Sparrow, and acted like a true Pirate. His obsessive drinking antics, and his walk really brought out this chaqracter. Plus he made character we could all love and enjoy, that deserves an Oscar in my view.

Geoffrey Rush played Barbosa the bad guy. Who turned out to be quite a good bad guy in my view. He showed real potential, and I loved the way how he manipulated people.

Keira Knightley plays Elizabeth, the governor's daughter. Prisoner of the Pirates. She is quite momorable in this role, and is a great jump for her evergrowing popularity.

Orlando Bloom plays Will Turner. A simple blacksmith, who is also a well trained swordsman. Who is in hot pursuit of saving Elizabeth from the Pirates.

The more memorable thing about this though is the curse. A well thought out curse. That can always lead to sequel or a prequel. You'll see what I mean when you watch it.

The story is based on these Pirates who happen to be cursed, and they want to rid the curse. To do that they need the blood of a pirate, not just any pirate but the son of Bill Turner- William Turner. Mistaken for Bill Turner's child the pirates Capture Elizabeth, and take her hostage, while William teams up with a Rogue pirate, Jack Sparrow, who is on a streak for revenge against Barbosa. While all at the same time are being chased by the british fleet.

A great adventure. Well played swordfighting. Great laughs. Great music. And great story. Pirates are back in my good book.

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Oldboy

After being kidnapped and imprisoned for 15 years, Oh Dae-Su is released, only to find that he must find his captor in 5 days.

Director: Chan-wook Park
Writers: Garon Tsuchiya (story), Nobuaki Minegishi (comic).
Stars: Min-sik Choi, Ji-tae Yu, Hye-jeong Kang.

Storyline

An average man is kidnapped and imprisoned in a shabby cell for 15 years without explanation. He then is released, equipped with money, a cellphone and expensive clothes. As he strives to explain his imprisonment and get his revenge, Oh Dae-Su soon finds out that his kidnapper has a greater plan for him and is set onto a path of pain and suffering in an attempt to uncover the motive of his mysterious tormentor.

User Reviews

To start off; This is the one and only film that kept me quiet for a whole 5 mins after seeing it. I literally couldn't close my mouth, and yet there wasn't any sound coming out of it. Oldboy had such an impact on me that words are too little to describe that impact. Therefore this film is definitely in my top 3 films ever made. It belongs there because it has a massive ingredient that a lot of films seem to miss out on; a divine plot. Even though the acting and screenplay are world class, the plot is really the cherry on the cake.

When it comes to screenplay Park Chan-Wook is unique (at least for western standards) in his way of filming. The colours are so vivid and it seems like he wanted every shot to be a piece of art. One tip: If you like the shooting in 'Oldboy', have a look at 'Sympathy for Lady Vengeance', the third part in Park's revenge-trilogy. It's even superior to the camera-work in 'Oldboy'. Don't, however, expect a story like Oldboy's, because you would be very disappointed.

When it comes to acting and the music, this film is also one of the better films ever made. The music sticks in your head and every time I put in my Oldboy-DVD and the theme-song comes up, I'm just flooded with good memories (even though the plot doesn't have a single reason to be happy about). The characters are also presented very well by the outstanding cast. Especially Choi Min-Sik and Yu Ji-Tae set a very convincing performance. 

I really appreciate this film being respected as it should be, by having a place in the top 250. If, however, it was up to me it would be even higher in the ranking. I don't see why films like 'The Usual Suspects' or 'Memento', which are fantastic pieces of film-making and which without a doubt deserve a place in the top 250, are higher in the top 250 than 'Oldboy'. They serve the same cause; a fantastic plot. But those plots can't stand in the shadow or even come close to the plot of 'Oldboy'. The one and only reason is that those two films are better known and from a western production company. If we were all living in Asia, no doubt 'Oldboy' would be in the top 20 of all time. 

My advice to people who haven't watched this film yet: Go see it! This is definitely a must- see. If you have a weak stomach, pull yourself together and still watch it. Don't be as shallow as a lot of people here tend to be. Look beyond the violence and see the things I mentioned before: world class acting, cinematography, music and last but certainly not least the plot. Once you've opened yourself up you'll find a whole new world of cinema. Enjoy!

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The Lord of the Rings: The Return of the King

Gandalf and Aragorn lead the World of Men against Sauron's army to draw his gaze from Frodo and Sam as they approach Mount Doom with the One Ring.

Director: Peter Jackson

Writers: J.R.R. Tolkien (novel), Fran Walsh (screenplay).

Stars: Elijah Wood, Viggo Mortensen, Ian McKellen.

Storyline

While Frodo & Sam continue to approach Mount Doom to destroy the One Ring, unaware of the path Gollum is leading them, the former Fellowship aid Rohan & Gondor in a great battle in the Pelennor Fields, Minas Tirith and the Black Gates as Sauron wages his last war against Middle-earth.

User Reviews

Peter Jackson has done it. He has created an all-encompassing epic saga of Tolkien's Lord of the Rings books, and after coming away from the final chapter, how does this rate not only as a film on its own, but as a part of the whole?

Perfect.

I've never seen a series like this. A trilogy of movies created with such love and care and utter perfection of craft that you can't help but walk away and wonder how did Peter Jackson make this possible? I have always loved the original "Star Wars" and "Indiana Jones" series for their epic storytelling, and just for just fitting in as a great moment in cinema. This should be, will be, remembered with as much revered fondness for generations to come. They do not make films like these anymore.

As a stand alone film, it picks up immediately where "Two Towers" ends, so brush up before seeing it. I've read the books, and the anticipation of seeing some of the more profound moments in this film made me kind of view it with a rushed sense of perspective. I wanted to make sure everything in this film was done "right". And when it happened, it was. I will need to see this again to enjoy everything on a more casual level.

The cast comes through once more. The musical score retains its beauty, elegance and power. The special effects, notably Gollum again, are nothing less than breathtaking, and simply move the story along. The battles are monumentally huge and exciting. There are some liberties taken with the story, especially during the end with the homecoming, and yet, everything that needed to be covered regarding the main characters was handled. After the greatest moment of the series resolves itself, the story provided a breather. And gives a good-bye to friends seen on screen for the last three years. It was truly a bittersweet feeling in realizing that there will be no "Rings" movie in 2004. I will miss this talented group of actors.

As with the first two, the film is very long, but goes by without you ever truly realizing it. This film is so much more than a simple "fantasy" epic. It's a story about strength of character, friendship, loyalty and love. And while every member of the Fellowship has their part to play, I finally understood why some critics have said this series is a story about Sam. It's his unwavering resolve that led the quest to its victory. Sean Astin is a true credit for adding the inspirational heart to this epic. As as far as the ending goes, they ended it the way that it had to be ended. Jackson ended this film the way it should have been.

I will miss looking forward to a new "Rings" movie, but these movies provide hope that high-quality films can still be made without special effects taking over a story, bathroom humor, or a "Top 40" soundtrack. George Lucas could learn a lot from these films about how not to alienate the fanbase.

Each film has earned a "10" from me for the last two years, which for me to give is a rarity. This one, however, is as equally deserving as its two predecessors. The Academy had better not look over this film for "Best Picture" of 2003. To do so would be greatly disrespectful of the craft and care that anyone involved with these films put into them.

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Kill Bill: Vol. 1

The Bride wakens from a four-year coma. The child she carried in her womb is gone. Now she must wreak vengeance on the team of assassins who betrayed her - a team she was once part of.

Director: Quentin Tarantino
Writers: Quentin Tarantino, Quentin Tarantino (character The Bride) (as Q).
Stars: Uma Thurman, David Carradine, Daryl Hannah.

Storyline

The lead character, called 'The Bride,' was a member of the Deadly Viper Assassination Squad, led by her lover 'Bill.' Upon realizing she was pregnant with Bill's child, 'The Bride' decided to escape her life as a killer. She fled to Texas, met a young man, who, on the day of their wedding rehearsal was gunned down by an angry and jealous Bill (with the assistance of the Deadly Viper Assassination Squad). Four years later, 'The Bride' wakes from a coma, and discovers her baby is gone. She, then, decides to seek revenge upon the five people who destroyed her life and killed her baby. The saga of Kill Bill Volume I begins.

User Reviews

A lot of people have come up to me and said "How can you love Quentin that much, he is just too extreme!" or "Oh come on, Kill Bill is just SO not realistic.." Yes. No.

Mr. Quentin Tarantino is rather extreme, yes, and it's lovely! And No. Kill Bill is not realistic, but it's not meant to be realistic! Just like... Lord of the Rings, that's not realistic either! But because it has clear unreal elements, like wizards, it's acceptable?

You don't go to see Kill Bill, or any other Q.T-film to see "Stepmom", in the same way you don't go to a Marilyn Manson concert hoping that they will play some Spice Girls..

Kill Bill, both volume 1 and 2, is absolutely gorgeous! The art direction is beautiful! The camera angles are perfect... just Gorgeous! The lighting, the sound, the dialogs... and of course, the details! No one works with small details the way Quentin does. I must also say that the soundtrack is brilliant and the whole film is just so well casted! Uma Thurman is perfect in the leading role, Darryl Hannah has never been this good before, ever! And Chiaki Kuriyama, even though she has a quite small role, is excellent, even better than she is in "Battle Royale". David Carradine is painfully perfect, Michael Madsen is ALWAYS excellent, but never as good as when he works with Tarantino. I must also say that Sonny Chiba was great. I've never been a big fan of Vivica A Fox until now, and I used to think that Lucy Liu was just your average actor but she turned out to be fierce. Pretty much everyone who is in this film is ten times better than they've ever been.

But above all things, Kill Bill is artistic, beautiful... Perfect colors, perfect everything... gotta love it.

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The Man of the Year

Maiquel has lost a bet and dyed his hair blond. This little event triggers a head-on collision with destiny in which Maiquel goes from nobody to hero to outlaw--all in 24 hours.

Director: José Henrique Fonseca
Writers: Rubem Fonseca, Patrícia Melo (novel)
Stars: Murilo Benício, Cláudia Abreu, Natália Lage.

Storyline

In Rio, Máiquel is without prospects. He's philosophical and low-key. When he loses a bet and must dye his hair blond, life changes: he finds new confidence, he asks Cledir, the hairdresser, on a date, and when he's teased by a local tough kid, he murders him. Instead of an arrest, Máiquel's a local hero; the cops look the other way. He and Cledir become lovers, his victim's girlfriend Érica, who's 15, insists that he protect her and moves into his small flat, and job offers come his way from a group of rich men who want to settle scores and get rid of local riff-raff. Where can this business go, and what about the triangle of Cledir, Érica and Máiquel? He just wants to be normal?

User Reviews

I stumbled unto this film by mere coincidence. I had no idea what to expect, not being acquainted with the director, or any of its excellent stars, although I've seen quite a few Brazilian films. Director Jose Enrique Fonseca works miracles with this movie and in the process gets amazing performances from all of his cast.

This is a film where there is a lot of violence, but it also works as a moral tale. When all seems to be lost in the Brazilian society, we get a sort of paid avenger that will get rid of the bad element terrorizing the 'hood. This is the underlying theme of the film. 

Maiquel, as played by Murilo Benicio, is a cool cat with no apparent scruples. Deep down, he strongly believes he is doing the right thing in helping people get revenge with what the inept police doesn't even bother to do. Mr. Benicio gives a controlled performance with funny moments. His relationship with the pet pig he receives from a satisfied customer, gives comic relief from his otherwise well known underground activities.

Claudia Abreu, a beautiful actress plays Cledir who eventually will marry Maiquel, the man she helped to give a "new blond look". Also in the cast, Natalia Lage, another gorgeous young woman who reappears in Maiquel's life only to transform herself when she discovers religion and wants him to join in the evangelical movement, something he never does. 

Some people have compared this film to "City of God", and frankly, there is no basis for the comparison. While the latter film showed the life in the poor favelas, the characters of this film are lower middle class people with a different set of values in life. They're not completely destitute, or as hopeless, as the poor young people of the other film.

Mr. Fonseca, the director, shows great promise. We look forward to his next film.

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The Memory of a Killer

Vincke and Verstuyft are the best detectives of the Antwerp police department. They are confronted with the murder on a leading executive and put all their effort to catch the murderer.

Director: Erik Van Looy
Writers: Jef Geeraerts (novel), Carl Joos (screenplay).
Stars: Koen De Bouw, Werner De Smedt, Jan Decleir.

Storyline

Vincke and Verstuyft are one of the best detective teams of the Antwerp police force. When they are confronted with the disappearance of a top official and the murder of two prostitutes, the trail leads to the almost retired assassin Angelo Ledda. Since Ledda starts showing symptoms of Alzheimer's, it's getting more and more difficult to complete his contracts. When he has to murder a 12-year old call-girl, he refuses and becomes a target himself. While Vincke and Verstuyft are chasing him and counting the corpses, Ledda is taking care of his employers.

User Reviews

It takes a lot of guts to make a Belgian "policier". It's like making an American western without John Wayne, or a French flick without Jean Gabin or Alain Delon.

New times, new directors, new actors... Director Van Looy found his actors. Not only are they good, they are outstanding. Much will be said about the three main actors: Jan Decleir, Koen De Bauw and Werner De Smedt, but look closely at the supporting roles. Hilde De Baerdemaeker is one of the coming Belgian ladies... read my lips!

The script is based on a book by author Jef Geeraerts but for once the adaptation is better. 

The dialogues are tongue in cheek, and for fans of "NYPD Blue" or "Homicide" this movie is a real treat. When the lights come on in the theater you want to look at your TV guide and check when the next episode is due...

The camera is nervous, it follows the action closely and the music is very well chosen. Also, without being chauvinistic, it's wonderful to see all the action take place in one of the largest European cities: Antwerp.

One of the best Belgian movies yet? Yes. A nice build up of characters, situations, drama. It's not easy, but it has been done.

Director Van Looy found his real commitment, a police thriller. You can compare this movie with "Memento" (the memory loss) or "Se7en" (the dualism between the two investigators) but better yet to "The Insider". Watch it: you will find out why.

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Stander

The life and career of Andre Stander, a South African police officer turned bank robber.
Director: Bronwen Hughes
Writer: Bima Stagg
Stars: Thomas Jane, David O'Hara, Dexter Fletcher.

Storyline

In the early 1980's, a white police officer (Andres Stander, played by Thomas Jane) in Johannesburg suffers a crisis of conscience due to his involvement in apartheid and becomes a notorious bank robber on the run. Then from 1983 to 1984, the "Stander gang" (Stander, Alan Heyl & Patrick McCall) rob as many as four banks a day.

User Reviews

_Stander_ was completely fascinating, from start to finish. I don't know when the last time was I saw a movie that I enjoyed so completely. It really was like some overlooked classic from the early 70s, in the styles and the composition. The colors have just the right washed-out look to make you think this film might be a contemporary of films like _Dog Day Afternoon_ or _Network_. And the settings, the costumes, the cars--all the period details bring us right back to the mid-70s. Never having visited South Africa and not really knowing that much about it, I almost feel like I've had a bit of a crash course in South African history and culture after watching the film. It's amazing that Thomas Jane, who hasn't exactly had the most memorable career to date, could so completely inhabit this character and bring him to life. This is the same guy who was the romantic lead in the insipid _The Sweetest Thing_! And the morose protagonist of _The Punisher_. He needs to keep stretching and looking for these more offbeat roles. And it's always a pleasure to see the beautiful Deborah Kara Unger in a film--here she plays Stander's wife. I won't recount the plot--plenty of other posters have already--but just urge you to rent this movie if you get the chance. It was immensely entertaining.

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Master and Commander: The Far Side of the World

During the Napoleonic Wars, a brash British captain pushes his ship and crew to their limits in pursuit of a formidable French war vessel around South America.

Director: Peter Weir
Writers: Patrick O'Brian (novels), Peter Weir (screenplay).
Stars: Russell Crowe, Paul Bettany, Billy Boyd.

Storyline

In April 1805 during the Napoleonic Wars, H.M.S. Surprise, a British frigate, is under the command of Captain Jack Aubrey. Aubrey and the Surprise's current orders are to track and capture or destroy a French privateer named Acheron. The Acheron is currently in the Atlantic off South America headed toward the Pacific in order to extend Napoleon's reach of the wars. This task will be a difficult one as Aubrey quickly learns in an initial battle with the Acheron that it is a bigger and faster ship than the Surprise, which puts the Surprise at a disadvantage. Aubrey's single-mindedness in this seemingly impossible pursuit puts him at odds with the Surprise's doctor and naturalist, Stephen Maturin, who is also Aubrey's most trusted advisor on board and closest friend. Facing other internal obstacles which have resulted in what they consider a string of bad luck, Aubrey ultimately uses Maturin's scientific exploits to figure out a way to achieve his and the ship's seemingly impossible goal.

User Reviews

A very complete tale, interwoven with beautiful cinematography, powerful performances (Russel Crowe, especially), masterful score (Bach, Motzart...to name two),and a truly believable storyline with many twists. At the heart of which is the conflict inside Capt. "Lucky" Jack Aubry (Russel Crowe) who balances his duty to the British Empire and his personal relationships with friends and crew members on board the HMS Surprise. All this while playing cat and mouse with a french enemy vessel that is twice his ship's size and double her strength. The conclusion is a great blending of commonality of human cause and duty. All in all, this is one of the most well rounded stories I've ever seen on the motion picture screen.

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The Last Samurai

An American military advisor embraces the Samurai culture he was hired to destroy after he is captured in battle.

Director: Edward Zwick
Writers: John Logan (story), John Logan (screenplay).
Stars: Tom Cruise, Ken Watanabe, Billy Connolly.

Storyline

In the 1870s, Captain Nathan Algren, a cynical veteran of the American Civil war who will work for anyone, is hired by Americans who want lucrative contracts with the Emperor of Japan to train the peasant conscripts for the first standing imperial army in modern warfare using firearms. The imperial Omura cabinet's first priority is to repress a rebellion of traditionalist Samurai -hereditary warriors- who remain devoted to the sacred dynasty but reject the Westernizing policy and even refuse firearms. Yet when his ill-prepared superior force sets out too soon, their panic allows the sword-wielding samurai to crush them. Badly wounded Algren's courageous stand makes the samurai leader Katsumoto spare his life; once nursed to health he learns to know and respect the old Japanese way, and participates as advisor in Katsumoto's failed attempt to save the Bushido tradition, but Omura gets repressive laws enacted- he must now choose to honor his loyalty to one of the embittered sides when ...

User Reviews

The Last Samurai is a strictly by-the-numbers samurai epic set in 1876-1877 Japan. All the necessary ingredients are here - beautiful Japanese landscapes and costumes, larger than life battlefield sequences, and eastern philosophy.Although the pageantry is not as beautiful as such samurai epics as "Heaven and Earth", it is more than adequate.

Do not, however go into this film expecting "Kill Bill", grindhouse type swordplay nor the poignancy of a Kurosawa piece. Instead, "The Last Samurai" occupies the middle ground; a human story of one Westerner learning to embrace another culture kind of a mixture of "Dances With Wolves" and "Shogun", films from which it derives almost directly. And this is the films greatest flaw. It is utterly predictable. No spoilers here, we all know what happens to the samurai. If not, the title ought to give you a clue. Every scene is one that you were expecting to see. And the ending is the ending you expect.

But Zwick and co. still manage to weave an engaging story with panache, and a climactic (despite it's predictability) ending, and that is why "The Last Samurai" is such a great film. As the Zen saying goes, "Success is a journey, not a destination". It is equally applicable to the samurai in the film, and the film itself.

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The Blind Swordsman: Zatoichi

The blind masseur/swordsman comes to a town in control of warring gangs, and while bunking with a farming family, he meets two women with their own agenda.

Director: Takeshi Kitano
Writers: Takeshi Kitano (screenplay), Kan Shimozawa (novels)
Stars: Takeshi Kitano, Tadanobu Asano, Yui Natsukawa.

Storyline

Blind Zatoichi makes his living by gambling and giving massages. But behind his humble facade, Zatoichi is a master swordsman, gifted with lightning-fast draw and strokes of breathtaking precision. Zatoichi wanders into a town run by sinister gangs and a powerful samurai. He's destined for violent showdowns when he stumbles on two beautiful geishas avenging their parents' murder... Duels, wit and a touch of zen! Cult anti-hero Zatoichi is back in a sword-fighting adventure written, directed and starring Takeshi Kitano.

User Reviews

What more is there to say? Zatoichi is a class act, all the way. Time and time again Takeshi Kitano proves himself an honorable, direct, and honest filmmaker. There is no whiff of pretense, nonsense, or any other kind of malodorous sense emanating from this film. All is well when you enter into one of Beat Takeshi's film worlds. It puts all of Western cinema to deep shame, for its trite, condescending, and totally vapid worldviews. That Beat Takeshi is so well-regarded in France and Italy speaks well of cultural refinement of these nations. And to find so few reviews of Takeshi's work in the Western media exposures a gaping void in everybody's understanding of the Eastern hemisphere. The sensible, sane, and helpful ideals of Confucianism permeate this film to its very core. Overall, Zatoichi is essential viewing for anyone who would like to consider themselves even remotely human.

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Ong-bak

When the head of a statue sacred to a village is stolen, a young martial artist goes to the big city and finds himself taking on the underworld to retrieve it.

Director: Prachya Pinkaew
Writers: Panna Rittikrai (story), Prachya Pinkaew (story).
Stars: Tony Jaa, Petchtai Wongkamlao, Pumwaree Yodkamol.

Storyline

Booting lives in a small and peaceful village. One day a sacred Buddha statuette called Ong Bak is stolen from the village by an immoral businessman. It soon becomes the task of a voluntary young man, Boonting (Phanom Yeeram), to track down the thief in Bangkok and reclaim the religious treasure. Along the way, Boonting uses his astonishing athleticism and traditional Muay Thai skills to combat his adversaries.

User Reviews

Tony Ja is the new Jet Li and Jackie Chan with a thai boxing background. This guy moves as quick as Jackie, has the strength of Jet Li, put packs a more violent, deadly assault - he uses his knees and elbows for pure annihilation. Why does he use his elbow and knees so much? Because they are the hardest parts of the human body. And god damn in Ong Bak he proper messes up everyone he comes across. Thai boxing is proper hardcore, they don't mess about.In Ong Bak, the story is pretty non existent, basically some gangstas from the city come to our heros poor village and steal the Buddha's head statue, and so Tony Ja commits to bringing it back and restoring peace. Now with that out of the way, let's talk about the fighting as this is where the film excels. WOW, this IS the most realistic fighting you will ever see. The only thing I can compare it to is Ultimate Fighting, but ten times worse. Tony Ja will become a legend this is fact. His flexibility in fighting is so extreme, and this film is basically just crammed up with the biggest, most violent stunts you will ever see. For instance, in a scene where Tony and his newly met friends run away from a group of hoodlums, he gets away in style. This is done by jumping through the tiny gaps, either backwards sliding underneath cars, jumping feet and hands outstretched through a hope, running across people's heads, flippin, kicking, somersaulting absolutely everywhere. Remember when you first saw the matrix and you were like `woah', well this is so much better. For starts, the stunts in this film are REAL. Everybody gets injured. There are no wires, pulleys, fake punches, fake blood. This is how it should be. Hollywood take note. The best scenes come where there is a kinda of street fighter style arena, where the deadliest fighters compete to be champion. Tony gets accidently caught up in this, and doesn't mess around by defeating the champion with a single powerful knee thrust into the opponents chest as Tony bends forwards and twists to avoid the ensuing punch from the opponent then unleashes the killer blow. Everyone in the arena is stunned and Tony gets booed for bad sportsmanship.. But don't worry about that has the biggest fights of his life coming up.You need this film in your life. I haven't seen anything as violent and hardcore as this ever before. But even though its hardcore and low budget, the direction is slick. Double takes are often used for the incredible action so you can really appreciate, for example, taking out three men with a triple, twisting back flip and smashing their heads in with your knees and elbows at the same time with pure accuracy. I have watched this four times now and cannot get enough. Overall, the story line is weak and there are some hilarious cheesy moments, but this all works perfectly well as instead of going `god damn thats sick!' at the beginning, you will end up saying `ha ha! Did you see his elbow get torn backwards then snapped! Ha ha! This is genius!'. It's like CKY2 with all the accidents, but here it is intentional for someone to do themselves in. This is a film you will watch over and over again, and show your mates everytime they come round

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X-Men 2

The X-Men band together to find a mutant assassin who has made an attempt on the President's life, while the Mutant Academy is attacked by military forces.

Director: Bryan Singer
Writers: Zak Penn (story), David Hayter (story).
Stars: Patrick Stewart, Hugh Jackman, Halle Berry.

Storyline

Several months have passed since The X-Men defeated Magneto and imprisoned him in a seemingly impregnable plastic chamber. One day, a mutant by the name of Nightcrawler infiltrates the White House and attempts to assassinate the president, setting off a chain reaction of anti-mutant measures by the government. Meanwhile, Logan is trying to discover his past. As scientist named William Stryker discovers Professor X's secret school and Cerebro, Magneto's partner, Mystique, is planning to break her leader out of prison. But when Professor X's school is attacked by Stryker's forces, Logan, Rogue, Iceman and a few are lucky to escape. Those who remain meet in Boston, where they form an uneasy alliance with Magneto to stop Stryker and rescue Professor X.

User Reviews

Some people would tell you that X2 is more conventional and mainstream than the first movie and to that I can only say: What a load of rubbish! Not only does X2 continue in the style set by the first film but it also improves on it greatly. This is achieved by adding more characters, making a deeper story and making the ever expanding universe even more chaotic so as better to capture the essence of the comic book. Two thumbs way up! The story picks up after the events of the first film in a way that pleases the viewers of the first film and is satisfactory to new viewers. The story is still well written and the pacing has improved a lot from the first film. There are no real slow points during the movie and the director takes special care to cram many of the scenes with breath taking visual effects so the audience will never lose interest. The dialog is once again both very sharp and witty and intelligent and allows for adequate character development. The character development is something some people have seen fit to criticize as they claim there isn't enough of it and except for only two characters I whole heartedly disagree. The character development of the main characters happened pretty much in the first film and therefore it is only necessary to add a bit more depth to the characters instead of repeating the character development from the first film. I did feel, however, that the film seemed somewhat rushed at times and that is a shame as it definitely had potential to be a 2½ hour film.

The acting is still sublime and I, of course, have to emphasize Hugh Jackman who is still absolutely brilliant as Wolverine. Both in bringing out the animal sides during the fight sequences but also in keeping the character human like in the comics. Ian McKellen returns as well and further fleshes out his character of Magneto and makes the character every bit as devious and charismatic as in the previous film. Patrick Stewart returns as well and does what he did in the first film and he is still the only one who could play Xavier. Among the new actors are Brian Cox and Alan Cumming. Cox does what he does best and plays the new villain with the exaggerated style he usually does. Cumming on the other hand shows remarkable depth as Nightcrawler and is in spite of his appearance one of the most human characters in the film. I will miss him in the third film. Lets hope Beast is any bit as good as in the comics. Some have had their characters lessened in the sequel. Most notably James Marsden while Famke Jansen's character is developed further. Halle Berry's character Storm is still kept in the background but I'm sure she will get more screen time in the third film. Aside from the ones I have now mentioned the acting is quite good all round.

Action wise the film took a major step up from the first film and many of the action scenes are quite simply awesome. We get to see more of Wolverine's feral rage which is always worth a look. All fights scenes with Wolverine are awesome and some of the most entertaining I've seen. Also we get a brief glimpse of Collosus kicking some ass and he does look cool I must say. In fact many of the individual mutants' powers are fleshed out in X2 and like in the original X-Men film they look absolutely beautiful. My only concern regarding the effects and action scenes is how on earth they are going to top them in the coming third X-Men film.

In regards to music and sound the film improved upon the first film with a much more catchy soundtrack and more audible effects. For example the sounds of Wolverine's claws shooting out and retracting have been amplified making him even more menacing than he was in the first film. Very well done.

All in all X2 is an excellent continuation of the original film and we are nearing something that is more like a saga than a series of films. I'm really beginning to see Bryan Singer as a master director after these two brilliant films and I am a little sad he opted to do Superman Returns rather than finish what he started with the X-Men films.

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