The Lord of the Rings: The Two Towers

While Frodo and Sam edge closer to Mordor with the help of the shifty Gollum, the divided fellowship makes a stand against Sauron's new ally, Saruman, and his hordes of Isengard.

Director: Peter Jackson
Writers: J.R.R. Tolkien (novel), Fran Walsh (screenplay).
Stars: Elijah Wood, Ian McKellen, Viggo Mortensen.

Storyline

While Frodo and Sam, now accompanied by a new guide, continue their hopeless journey towards the land of shadow to destroy the One Ring, each member of the broken fellowship plays their part in the battle against the evil wizard Saruman and his armies of Isengard.

User Reviews

We have been waiting an entire year for this one!!! The Two Towers picks up right where last years Lord of the Rings: The Fellowship of the Ring leaves off. The director, Peter Jackson, did not include a recap of the last movie, so if you don't remember what happened in the first movie you better rent it and refresh your memory before you head off to the theater. 

When we last left our fellowship, it had splintered apart. Frodo Baggins (Elijah Wood) and Sam Gamgee (Sean Astin) continue there quest to return the all powerful and evil ring to Mordor where it can be destroyed. They take on the creature Gollum (Andy Serkis) as their guide to Mordor despite Gollum's obsession with getting `his precious' back. Aragorn (Viggo Mortensen), Legolas (Orlando Bloom), and Gimli (John Rhys-Davies) begin by trying to find the kidnapped Merry (Dominic Monaghan) and Pippin (Billy Boyd), but end up getting caught up in a battle to save a race of humans. The evil wizard Saruman (Christopher Lee), controlled by Dark Lord Sauron created a grand Uruk-hai army that is sent to destroy the race of Humans at the fortress Isengard. The presumed dead Gandolf (Ian McKellen) also returns to lend his assistance in battling Lord Sauron's troops. 

This film was better paced than the first in the trilogy. There were still some breaks in the action that were a little dull, but the dialog was necessary to further the story. With three separate stories going on simultaneously between the three groups of the splintered fellowship, the film kept the action moving quickly. Clocking in at 179 minutes, it is just one minute longer than the first film. This time, I didn't mind the length. The battle for Isengard comprised about a third of the film, and it was very intense. 

The rest of the film had a lot of the same excellent cinematic shots as the first movie. The shots tracking the actors from above (done by helicopter) with the beautiful New Zealand mountains and countryside in the background were just amazing. The landscapes helped to keep me involved with the story when the action slowed for dialog intensive scenes. 

The creature Gollum played a very key roll in this movie, and the computer-generated character was very lifelike and amusing. He reminded me of Dobby the `house elf' in Harry Potter and the Chamber of Secrets. Gollum and the Dwarf were the two main comic relief characters in this very serious film. 

To conclude, we had to wait a year for this film, and it lived up to expectations! A final reminder…this is the middle film in the trilogy so you can expect another ending that leaves you wanting more! Not to worry though, the third and final film is due out next Christmas.

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City of God

Two boys growing up in a violent neighborhood of Rio de Janeiro take different paths: one becomes a photographer, the other a drug dealer.

Directors: Fernando Meirelles, Kátia Lund
Writers: Paulo Lins (novel), Bráulio Mantovani (screenplay)
Stars: Alexandre Rodrigues, Matheus Nachtergaele, Leandro Firmino.

Storyline

Brazil, 1960s, City of God. The Tender Trio robs motels and gas trucks. Younger kids watch and learn well...too well. 1970s: Li'l Zé has prospered very well and owns the city. He causes violence and fear as he wipes out rival gangs without mercy. His best friend Bené is the only one to keep him on the good side of sanity. Rocket has watched these two gain power for years, and he wants no part of it. Yet he keeps getting swept up in the madness. All he wants to do is take pictures. 1980s: Things are out of control between the last two remaining gangs...will it ever end? Welcome to the City of God.

User Reviews

Wow, this is one of those different movies - meaning not run-of-mill by any means - and one of those which isn't pleasant to watch but one you might find yourself mesmerized by it.

This also is one of those "based on a true story" films which makes it even more shocking, if its mostly true. The story is of the many young (pre and early-teen) criminals inhabiting an area just outside the big city of Rio de Janeiro in Brazil. It has the feel of a documentary with real-life street kids but is upgraded considerably by fantastic camera-work, some very innovative cinematography. In other words: stylish.

Make no mistake: without that stylish look, the film might be too much of a downer. The street kids are interesting but really brutal, so be prepared. I mean, how often do you see 12-year-old killers portrayed on film? The violence, language and drug use are rough in here and what a sad comment on this social problem in Brazil, a country with a huge problem with these street gangs. Overall, a very tough but fascinating film.

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Infernal Affairs

A story between a mole in the police department and an undercover cop. Their objectives are the same: to find out who is the mole, and who is the cop.

Directors: Wai-Keung Lau (as Andrew Lau), Alan Mak
Writers: Alan Mak, Felix Chong
Stars: Andy Lau, Tony Chiu Wai Leung, Anthony Chau-Sang Wong.

Storyline

Chan Wing Yan, a young police officer, has been sent undercover as a mole in the local mafia. Lau Kin Ming, a young mafia member, infiltrates the police force. Years later, their older counterparts, Chen Wing Yan and Inspector Lau Kin Ming, respectively, race against time to expose the mole within their midst.

User Reviews

A deceptively simple idea lies at the heart of this complex thriller: the Hong Kong police and a triad gang both have an informer in each other's organisation: whoever's man picks the enemies' spy first wins the game for his side. Add to that the customary double-agent-doesn't-know-which-side-he-is-on-anymore subplot (doubled, of course), and you have plenty of ingredients for a plot, although it's to the movie's credit that although a little stylised, it never seems false or contrived. Fast-paced and bold, with a generous score, it never insults the viewer's intelligence either, and features just the right level of moral ambiguity. At one level, it's just another thriller, and there's little in the way of wider political or social subtext; but on the other hand, it's a textbook lesson in the art of making this sort of film.

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Graveyard of Honor

A barkeeper saves a Yakuza boss' life and thus makes his way up in the organization. However his fear of nothing soon causes problems.

Director: Takashi Miike
Writers: Goro Fujita (novel) (as Gorô Fujita), Shigenori Takechi.
Stars: Narimi Arimori, Yoshiyuki Daichi, Hirotarô Honda.

Storyline

A barkeeper saves a Yakuza boss' life and thus makes his way up in the organization. However his fear of nothing soon causes problems.

User Reviews

This film, despite some thoughtful stuff in the final act, is strangely derivative of Takeshi Kitano (which isn't necessarily a good thing in my book). Much like Sonatine we've got a non-expressive, self-destructive protagonist who does some violent stuff while a repetitive low-rent jazz soundtrack warbles in the background. And the editing is sadistic - watch a guy slip around on ice for 45 seconds straight, watch a guy climb a rooftop ladder for 35 seconds, watch seemingly identical rape scenes, watch seemingly identical heroin usage scenes, and my personal favorite: watch the lead actor scowl into the camera over and over and over, blah blah blah. While there is no doubt that it is a Miike in the final analysis, I find it almost sacrilegious to see him borrowing so blatantly from the hack playbook of Beat Takeshi. He even put him in Izo, for cryin' out loud.

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The Count of Monte Cristo

A young man, falsely imprisoned by his jealous "friend," escapes and uses a hidden treasure to exact his revenge.

Director: Kevin Reynolds

Writers: Alexandre Dumas père (novel), Jay Wolpert (screenplay)

Stars: Jim Caviezel, Guy Pearce, Richard Harris.

Storyline

'The Count of Monte Cristo' is a remake of the Alexander Dumas tale by the same name. Dantes, a sailor who is falsely accused of treason by his best friend Fernand, who wants Dantes' girlfriend Mercedes for himself. Dantes is imprisoned on the island prison of Chateau d'If for 13 years, where he plots revenge against those who betrayed him. With the help of another prisoner, he escapes the island and proceeds to transform himself into the wealthy Count of Monte Cristo as part of his plan to exact revenge.

User Reviews

You've just rented or bought "The Count of Monte Cristo" and enjoyed it. But guess what? It gets better! If you hadn't noticed yet (hopefully you have), this movie is based off of a famous book by Alexandre Dumas. My interest in this movie was sparked because I actually read the book beforehand. I never even knew there was a film version of it until I mentioned my love for the book to a friend who informed me of the recently released movie that she too liked. I did in fact enjoy the movie, but it disappointed me slightly. The book is very much different from the movie. The plot and list of characters were simplified to (in my opinion) make the movie easier to understand and to keep it from being 3+ hours long. If you liked the plot twists and interesting characters in this movie, I must insist you try reading the book. Sure, it's very long and intricate, but if you keep on your toes and keep all of the details in check, you will absolutely love it! You will meet other characters who play a role in Dantes' downfall and a sweet love story (involving characters that do not even exist in the movie!) will unfold. Dantes will take on other roles not seen in the movie. It is truly an incredible piece of work written so many years ago by Alexandre Dumas. Again I say, the movie was indeed good, but the book is better. Please try it!

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Hero

A defense officer, Nameless, was summoned by the King of Qin regarding his success of terminating three warriors.

Director: Yimou Zhang
Writers: Feng Li, Bin Wang.
Stars: Jet Li, Tony Chiu Wai Leung, Maggie Cheung.

Storyline

In ancient China, before the reign of the first emperor, warring factions throughout the Six Kingdoms plot to assassinate the most powerful ruler, Qin. When a minor official defeats Qin's three principal enemies, he is summoned to the palace to tell Qin the story of his surprising victory.

User Reviews

Director Zhang Yimou's Hero is playing around the country to widespread critical acclaim. It is undoubtedly one of the most visually beautiful movies of our time. However, American audiences may not fully appreciate what message comes wrapped in this beautiful package.

Hero rewrites history's judgment on the movie's central figure, the Emperor Qin – a ruthless leader who unified China through the most brutal means – by depicting him as a tough but benevolent and misunderstood monarch, in the process also changing the story of the failed assassination attempt on him as well.

The historical Emperor Qin was known for his cruelty. The movie does refer to his practice of slaughtering entire villages. It is silent about the tortures he employed, the draconian legal code that involved the cutting off of limbs, his burning of books and suppression of schools of thought, or such incidents as the burying alive of hundreds of scholars who had objected to his rule.

The reason for the differences between the historical Emperor Qin and the movie's retelling may be found in the needs of the Chinese Communist Party (CCP).

Even before unifying China, the then-King of Qin was hated and feared by both rivals and subjects alike. The neighboring state of Yan (replaced with "Zhao" in the movie) knew that the state of Qin aimed eventually to attack. Officials in the Yan kingdom hired an assassin to kill the King of Qin and help them escape imminent defeat. Jing Ke, the man selected for the job, had to find a method to bring himself close to the King to complete his mission. Pan Yuqi was a disgruntled Qin official who had fled to the state of Yan to escape from the King of Qin's tyrannical rule. He so hated the King of Qin that he offered to allow himself to be killed in order that Jing could gain access by bringing his head to the despot. Jing killed him and brought both Pan's head and a map of the state of Yan that the king coveted, hiding in it a dagger with which to assassinate the tyrant.

The King of Qin indeed allowed Jing Ke in his presence, and as the king opened the map offered to him, the assassin deftly procured the knife hidden in the map scroll. Unfortunately, Jing's initial thrust was not strong enough, grazing but not wounding the king. The king was then able to unsheathe his sword and parry any of Jing's successive thrusts. The assassin had no choice but to hurl his weapon at the monarch, but missed. He was later executed.

In Hero, the assassin (played by Jet Li) has the opportunity and the skill to dispatch the King, yet decides against it. After abandoning his decision to kill the king, he is executed, and then buried as a hero.

The Jet Li character is called "Nameless." Nameless chooses loyalty, and his own death, after a long conversation with the King of Qin. The king asserts that Nameless's quest is only negative, he acts out of hatred and revenge. He reveals that he himself is misunderstood, that the king's strength is used for the sake of unifying a great Chinese nation, a nation that will comprise "everything under heaven" (this crucial phrase was translated in English as "our land").

Like the Emperor Qin, Mao Zedong, upon winning the civil war against Chiang Kai Sheik, unified China. Mao was an open admirer of the Qin Emperor. This often-hated emperor came to be seen as a symbol for the Communist Party.

Since the Tiananmen Square massacre in 1989, the Chinese Communist Party has used China's state controlled media to make the claim that the Communist Party exists for the sake of a great and unified China. Love of China and love of the Party are conflated, and love of China is taught to be of supreme importance.

Zhang's movie fits the CCP script very neatly. It appropriates China's history, its founding moment, the unification by the Emperor Qin, and uses that history to teach the very same lessons that CCP has taught: the need to give up individual claims (what we today call rights) for the sake of a great and powerful China under the rule of a strong leader (the CCP).

The leaders of the CCP wish the viewers of the movie to forget some other parallels with the Emperor of Qin. Similar to the Qin Emperor, the People's Republic of China is one of the most brutal and reviled governments in the world. Just as the Emperor of Qin suppressed Confucianism and persecuted those who objected to his rule, the CCP persecutes and tortures all of those with views and beliefs differing from the Party, including Falun Gong practitioners, house Christians, Uigher Muslims, union organizers, and democracy activists.

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Minority Report

In a future where a special police unit is able to arrest murderers before they commit their crimes, an officer from that unit is himself accused of a future murder.

Director: Steven Spielberg
Writers: Philip K. Dick (short story), Scott Frank (screenplay).
Stars: Tom Cruise, Colin Farrell, Samantha Morton.

Storyline

In the year 2054 A.D. crime is virtually eliminated from Washington D.C. thanks to an elite law enforcing squad "Precrime". They use three gifted humans (called "Pre-Cogs") with special powers to see into the future and predict crimes beforehand. John Anderton heads Precrime and believes the system's flawlessness steadfastly. However one day the Pre-Cogs predict that Anderton will commit a murder himself in the next 36 hours. Worse, Anderton doesn't even know the victim. He decides to get to the mystery's core by finding out the 'minority report' which means the prediction of the female Pre-Cog Agatha that "might" tell a different story and prove Anderton innocent.

User Reviews

The best film to date so far this year as of 8/02! This film is about a John (Tom Cruise) who is haunted by the disappearance of his young son many years ago. To cope with the grief he works at a crime pervanetion network founded by Lamar Burgess (Max Von Sydow) that can predict murders and stop them before they occur. However, one day while at work Tom Cruise is shocked to discover that it is saying he will be the next person to try and commit murder. John thinks that an agent named Danny (Colin Farrell) who is investigating the the unit is trying to set him up. To add to the problems, the person John is accused of trying to murder is a person he does not even know and it says John will kill him in 48 hours.

Fast paced, exciting and deeply moving & thought provoking film. Tom Crusie does good work here. Colin turns in a deliciously nasty performance. However the film belongs to Max Von Sydow who is absolutely genius here. Director Speilberg treats the audience to some highly original and creative visual effects and has presented us with a fun story that covers all the bases. The ending is especially good.

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Equilibrium

In a Fascist future where all forms of feeling are illegal, a man in charge of enforcing the law rises to overthrow the system.

Director: Kurt Wimmer
Writer: Kurt Wimmer
Stars: Christian Bale, Sean Bean, Emily Watson.

Storyline

In a futuristic world, a strict regime has eliminated war by suppressing emotions: books, art and music are strictly forbidden and feeling is a crime punishable by death. Cleric John Preston (Bale) is a top ranking government agent responsible for destroying those who resist the rules. When he misses a dose of Prozium, a mind-altering drug that hinders emotion, Preston, who has been trained to enforce the strict laws of the new regime, suddenly becomes the only person capable of overthrowing it.

User Reviews

I think this movie was a good movie, and I also think that most critics were unjustified in their reasoning for panning it. Almost seems like a conspiracy. Anyway, the story was interesting, it set up some kind of a reality where we have this "gun kata", and stuck with it. The "gun kata" never became a deus ex machina, it just drove the action sequences, while staying clear of the actual plot, which had some interesting twists, certainly more than the matrix. I think Christian Bale's character was a kind of clone of keanu reeves in the Matrix, but he is clearly a better actor, and his range was really challenged. The other characters were much less "wooden" and comic book like than the evil characters in the matrix, which ironically made them more human, almost too human for an action movie, and that is probably why the critics were so hard on it. The matrix (at least the first one) didn't take itself too seriously, but this one did...and I think it lived up to the challenge as much as any action movie set in the distant future with some reality bending. I really enjoyed it, and would have liked to see it in the theatre, none the less a great rent if you liked the first matrix, kill bill, or any other film that blends action with choreography and weaves an interesting tale of reality. My suggestion might have been more extreme antagonists, but then, perhaps this movie will help me accept more human-like villains in action movies. Anyway give it a try!

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Spider-Man

When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family.

Director: Sam Raimi
Writers: Stan Lee (Marvel comic book), Steve Ditko (Marvel comic book).
Stars: Tobey Maguire, Kirsten Dunst, Willem Dafoe.

Storyline

Based on Marvel Comics' superhero character, this is a story of Peter Parker who is a nerdy high-schooler. He was orphaned as a child, bullied by jocks, and can't confess his crush for his stunning neighborhood girl Mary Jane Watson. To say his life is "miserable" is an understatement. But one day while on an excursion to a laboratory a runaway radioactive spider bites him... and his life changes in a way no one could have imagined. Peter acquires a muscle-bound physique, clear vision, ability to cling to surfaces and crawl over walls, shooting webs from his wrist ... but the fun isn't going to last. An eccentric millionaire Norman Osborn administers a performance enhancing drug on himself and his maniacal alter ego Green Goblin emerges. Now Peter Parker has to become Spider-Man and take Green Goblin to the task... or else Goblin will kill him. They come face to face and the war begins in which only one of them will survive at the end.

User Reviews

One of the most successful translations of "comic book to screen" has fine results in SPIDER-MAN, a handsomely produced version of the comic book classic with a sprightly score by Danny Elfman and some incredibly realistic looking CGI effects.

The simple plot of good vs. evil begins when Peter Parker is bitten by a spider while touring a local museum with his high school class. The plot thickens when he develops webs and the ability to soar over rooftops and vehicles with ease--as well as climbing walls. Toby Maguire plays the nerdy teen-ager with a wholesome air of innocent charm, his open-eyed expression never concealing the delight he takes in the role. As his girlfriend, Mary Jane, Kirsten Dunst does a likable enough job even if the costume department decided to dress her like a teen hooker.

Everyone else is in fine form. William Dafoe deserves top praise for his Green Goblin--evil enough to frighten the wits out of the faint-hearted. J. Jonah Jameson is excellent as the bombastic newspaper editor who takes advantage of his most famous client. Rosemary Harris and Cliff Robertson, in quieter roles, are warm and human. James Franco is believable as Peter's best friend.

Admirers of the comic book tales should have no trouble liking the movie with its amazing CGI effects. It's heart-warming and funny, with some terror thrown in for good measure. Good escapist entertainment even if the message seems a little vague. Message??

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The Bourne Identity

A man is picked up by a fishing boat, bullet-riddled and suffering from amnesia, before racing to elude assassins and regain his memory.

Director: Doug Liman

Writers: Tony Gilroy (screenplay), W. Blake Herron (screenplay) (as William Blake Herron).

Stars: Franka Potente, Matt Damon, Chris Cooper.

Storyline

Based very loosely on Robert Ludlum's novel, the Bourne Identity is the story of a man whose wounded body is discovered by fishermen who nurse him back to health. He can remember nothing and begins to try to rebuild his memory based on clues such as the Swiss bank account, the number of which, is implanted in his hip. He soon realizes that he is being hunted and takes off with Marie on a search to find out who he is and why he is being hunted.

User Reviews

Jason Bourne (Matt Damon) is a highly trained assassin, found left for dead at sea. He wakes to find he has no memory of who he is and he needs answers fast if he is to survive the attempts to erase his existence.

The Bourne Identity is excellently paced and brings a great deal of realism to the spy genre. The fight sequences are fast and believable, the car chases are accurately choreographed and the character of Jason Bourne is vulnerable and easy to identify with.

Matt Damon plays the role with apparent ease, he simply slips into the character and brings him to life. As spy thrillers go The Bourne identity one of the best around.

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Undisputed

When heavyweight champion George 'Iceman' Chambers lands in prison, the resident gangster arranges a boxing match with the reigning prison champ.

Director: Walter Hill
Writers: David Giler, Walter Hill
Stars: Wesley Snipes, Ving Rhames, Peter Falk.

Storyline

George "Ice Man" Chambers (Rhames) is a top ranked heavyweight boxer. However Chambers has his world turned upside down when he is accused of rape and sent to prison. Upon his arrival he hears talk about Monroe Hutchen (Snipes) who is the top ranked prison boxing champ 10 years running. Immediately there is bad blood with Chambers not wanting to be second to no one which leads to a lunch room fight between the men. Figuring it will be a good way to make money fellow convict Emmanuel 'Mendy' Ripstein (Peter Falk) sets up a prison boxing match between the two men to decide who is the real UNDISPUTED champ. Michael Rooker plays a guard, Fisher Stevens, John Seda, and Master P co star.

User Reviews

Wesley Snipes stars as the boxing champ of Sweetwater Prison whose title and manhood are put at jeopardy when the true heavyweight champion (played by Ving Rhames) lands in the cellblock for the rape of a showgirl (Rose Rollins).

I enjoyed UNDISPUTED for the first thirty minutes or so but after that I became lost. I was looking for deeper character development than I ever got. We get to know Ving Rhames character the most (mainly because he's a replica of Mike Tyson) and he's the antagonist. We get introduced to several supporting characters (Wes Studi, Fisher Stevens, Peter Falk, Michael Rooker, Jon Seda) here and there for whatever reason. However, they're all a prison cliché.

The character we never get to know, oddly, is the hero, played by Wesley Snipes. We can only assume that Snipes is the hero because of his sensitive hobby of making houses out of toothpicks. Other than that, Snipes has only about twenty lines. It's weird. Rhames even though billed second has far more screen time than Snipes.

I can't help but feel that this film lost it in the editing room. Somehow this movie feels like half a movie. Like important parts have been chopped away. I just can't imagine writers Walter Hill and David Giler (ALIEN), or any writers for that matter, writing a script with such a non-dimensional lead character.

While action film veteran Walter Hill (48 HOURS; LAST MAN STANDING) has learned some stylish new tricks to filmmaking, they're not enough to save his latest effort. All in all, two incarcerated boxers go head to head, but it's the movie that gets K.O.'d. (C-)

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Dog Soldiers

 A routine military exercise turns into a nightmare in the Scotland wilderness.

Director: Neil Marshall
Writer: Neil Marshall
Stars: Sean Pertwee, Kevin McKidd, Emma Cleasby.

Storyline

A British Squad is sent on a training mission in the Highlands of Scotland against Special Operations squad. Ignoring the childish "campfire" stories heard about the area, they continue with their mission and come across the bloody remains of the Special Ops Squad, and a fierce howling is pitching the night sky... With two mortally wounded men, they make an escape, running into a zoologist by the name of Megan - who knows exactly what hunts them. What began as what they thought was a training mission turns into a battle for their lives against the most unlikely enemies they would have expected - werewolves.

User Reviews

 

American Werewolf in London, was always my favourite werewolf movie. well, this is better!

The cast are not widely known, familiar faces, but no star names, yet they all give first class performances. The dialogue is slick and realistic and the plot and characters build very well.

The gore is truly realistic and looks painful at times, similar to some of the scenes at the start of Private Ryan.

Most of the characters are rock hard nutter's, and they spout off cheesy lines like 'Come and ave a go if you think your hard enough!' and 'I Hope i give you the Sh*t's, you F*ck*n Wimp!' said just after a great fist fight with a werewolf and just before he is about to be eaten.

At no point does this movie try to take itself seriously, and that's why its so good. It really is very funny and at the same time pretty realistic (for a werewolf film). If you like the genre you simply have too see this film, if you don't your missing a treat.

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The Transporter

Frank is hired to "transport" packages for unknown clients and has made a very good living doing so. But when asked to move a package that begins moving, complications arise.

Directors: Louis Leterrier, Corey Yuen (as Cory Yuen).
Writers: Luc Besson, Robert Mark Kamen.
Stars: Jason Statham, Qi Shu, Matt Schulze.

Storyline

Ex-Special Forces operator Frank Martin lives what seems to be a quiet life along the French Mediterranean, hiring himself out as a mercenary "transporter" who moves goods--human or otherwise--from one place to another. No questions asked. Carrying out mysterious and sometimes dangerous tasks in his tricked-out BMW, Frank adheres to a strict set of rules, which he never breaks. Rule One: Never change the deal. Rule Two: No names--Frank doesn't want to know whom he's working for, or what he's transporting. Rule Three: never look in the package. Frank's newest transport seems no different from the countless ones he's done in the past. He's been hired by an American known only as "Wall Street" to make a delivery; but when Frank stops along the route, he notices his package is moving. Violating Rule Three, Frank looks inside the bag, finding its contents to be a beautiful, gagged woman. Frank's steadfast adherence to his other two rules--which make up his basic code of survival--also ...

User Reviews

There's no question that Luc Besson is one of Europe's biggest action producers. I mean with the cult classics "La Femme Nikita" (1991) and "The Professional" (1994) behind him, he's basically been given the green-light for every big action picture he comes across. One of his latest and most ambitious projects was "The Transporter," released in 2002.

I have to admit this is one flick I approached with a very open mind - very open. I mean, I like Jason Statham. I think he's a pretty cool guy and at first, even I questioned his casting as Frank Martin in "The Transporter." But the problem is, and I'm assuming this is the result of the quickly edited action scenes (which were toned down to make the film "PG-13"), he's not being given the room to really be the best he can be.

As the lead character, he's a transporter. He can get you, your associates or your property anywhere, anytime, on time, no questions asked. But you know what? Common sense tells us that it was curiosity that killed the cat, and the cat in this picture thankfully doesn't die some horrible death but instead, curiosity yields him a break - a beautiful woman named Lai (Shu Qi) - bound and gagged, and in the trunk of his BMW.

It's not spoiling much that she and Frank get together and as a result, are forced to do battle with shady and vicious American businessman Wall Street (Matt Schulze) and his army of high-kicking, disposable assassins. There's a little more to the plot and Lai, and the circumstances surrounding her appearance in the trunk of Frank's car, and it involves some smuggling of poor Chinese immigrants from China to Europe, where much of the action takes place.

Speaking of action and there's plenty of it, Statham does display some pretty impressive moves but the frantic editing just doesn't do him justice. He obviously worked out for this part and there are frequent moments when his ripped torso is on display. He also (barely) manages to shy away any possible accusations that he's just a British novelty to American audiences. Director Corey Yuen (whose work on Jet Li's 2001 action film "Kiss of the Dragon" I admired), is behind it and Besson's got a producer credit.

The problem may not be Statham because I think he's a really cool actor with a raspy British accent, but the script is worth some deeper examination by more thoughtful minds. There are plenty of holes and unanswered questions (i.e., the extent of Frank's military training and experiences, Lai and how she wound up with Frank and her quarrelsome relationship with her father who is played by Ric Young, and the plot with the Chinese smuggling).

But why am I making such complaints? "The Transporter" is an action movie; no plot required. Despite some bumps in the road, "The Transporter" is pure action fun from beginning to end, and I got my free ticket to see "The Transporter 2" on Friday.

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