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Showing posts with label Mystery. Show all posts
Showing posts with label Mystery. Show all posts

Inception

A thief, who steals corporate secrets through use of dream-sharing technology, is given the inverse task of planting an idea into the mind of a CEO.

Director: Christopher Nolan
Writer: Christopher Nolan
Stars: Leonardo DiCaprio, Joseph Gordon-Levitt, Ellen Page.

Storyline

Dom Cobb is a skilled thief, the absolute best in the dangerous art of extraction, stealing valuable secrets from deep within the subconscious during the dream state, when the mind is at its most vulnerable. Cobb's rare ability has made him a coveted player in this treacherous new world of corporate espionage, but it has also made him an international fugitive and cost him everything he has ever loved. Now Cobb is being offered a chance at redemption. One last job could give him his life back but only if he can accomplish the impossible - inception. Instead of the perfect heist, Cobb and his team of specialists have to pull off the reverse: their task is not to steal an idea but to plant one. If they succeed, it could be the perfect crime. But no amount of careful planning or expertise can prepare the team for the dangerous enemy that seems to predict their every move. An enemy that only Cobb could have seen coming.



User Reviews

Inception is truly one of a kind. A concept which has long gestated in Christopher Nolan's mind, his eye for drama mixed with his large scale sensibilities ring true in Blockbuster season making Inception a true original in the sea of reboots, remakes and sequels.


To try and explain Inceptions many plot twists and incredibly intelligent arcs, would be a foolish task. As Nolan himself has been reluctant to. The best way to approach the film would be with an open mind, if you are prepared to be taken on a ride of a lifetime, then trust that you 100% will. If Avatar was a seminal film in technology (although coming out as a rather poor film, in my opinion), then Inception is seminal in it's storytelling. With a 148 minute running time, you would expect a lot to take place, but what you wouldn't expect is the pace of it all. I did not think at one time in the film about how long was left. I was simply blown away by the depth in every single part of the film. If my enthusiasm for the storytelling aspect of the film has left you worried about the spectacle, then don't worry. They are, as hinted in the trailer, incredible, looking real and unbelievable simultaneously. The most pleasing thing about the action set pieces, is that they are genuinely used to illustrate the story, rather than to blow stuff up a la Michael Bay.



With this complex movie in it's high concept, a stellar cast is needed. And Nolan as always, delivers with just that. This is vintage DiCaprio, perhaps only equalled in The Aviator, which is even more impressive as his role as Cobb in Inception is not a showy one, needing DiCaprio to be the constant at the centre of the film. And he pulls off Cobb's emotional contradictions sublimely. The rest of the cast members all shine in parts of the films, Cillian Murphy shows off his usually non-existent tender side, Gordon-Levitt bottles his usual charm for his confidently reserved turn as the reliable Arthur, Watanabe is devilish as the seemingly ambiguous Saito, Page shows why she's the next big female star and Tom Hardy revels in being the comic relief of the film compared to his recent turns as decidedly psychopathic characters.



Overall, Nolan has indeed surpassed himself. He has created a world as expansive as his Gotham, a plot dwarfing the intricacies of Memento and one which blows The Prestige's cinematic reveal out of the water. This is truly unmissable cinema. Revel in it, we've still got to wait a whole two years before Batman 3.

Oldboy

After being kidnapped and imprisoned for 15 years, Oh Dae-Su is released, only to find that he must find his captor in 5 days.

Director: Chan-wook Park
Writers: Garon Tsuchiya (story), Nobuaki Minegishi (comic).
Stars: Min-sik Choi, Ji-tae Yu, Hye-jeong Kang.

Storyline

An average man is kidnapped and imprisoned in a shabby cell for 15 years without explanation. He then is released, equipped with money, a cellphone and expensive clothes. As he strives to explain his imprisonment and get his revenge, Oh Dae-Su soon finds out that his kidnapper has a greater plan for him and is set onto a path of pain and suffering in an attempt to uncover the motive of his mysterious tormentor.



User Reviews

To start off; This is the one and only film that kept me quiet for a whole 5 mins after seeing it. I literally couldn't close my mouth, and yet there wasn't any sound coming out of it. Oldboy had such an impact on me that words are too little to describe that impact. Therefore this film is definitely in my top 3 films ever made. It belongs there because it has a massive ingredient that a lot of films seem to miss out on; a divine plot. Even though the acting and screenplay are world class, the plot is really the cherry on the cake.


When it comes to screenplay Park Chan-Wook is unique (at least for western standards) in his way of filming. The colours are so vivid and it seems like he wanted every shot to be a piece of art. One tip: If you like the shooting in 'Oldboy', have a look at 'Sympathy for Lady Vengeance', the third part in Park's revenge-trilogy. It's even superior to the camera-work in 'Oldboy'. Don't, however, expect a story like Oldboy's, because you would be very disappointed.



When it comes to acting and the music, this film is also one of the better films ever made. The music sticks in your head and every time I put in my Oldboy-DVD and the theme-song comes up, I'm just flooded with good memories (even though the plot doesn't have a single reason to be happy about). The characters are also presented very well by the outstanding cast. Especially Choi Min-Sik and Yu Ji-Tae set a very convincing performance. 



I really appreciate this film being respected as it should be, by having a place in the top 250. If, however, it was up to me it would be even higher in the ranking. I don't see why films like 'The Usual Suspects' or 'Memento', which are fantastic pieces of film-making and which without a doubt deserve a place in the top 250, are higher in the top 250 than 'Oldboy'. They serve the same cause; a fantastic plot. But those plots can't stand in the shadow or even come close to the plot of 'Oldboy'. The one and only reason is that those two films are better known and from a western production company. If we were all living in Asia, no doubt 'Oldboy' would be in the top 20 of all time. 



My advice to people who haven't watched this film yet: Go see it! This is definitely a must- see. If you have a weak stomach, pull yourself together and still watch it. Don't be as shallow as a lot of people here tend to be. Look beyond the violence and see the things I mentioned before: world class acting, cinematography, music and last but certainly not least the plot. Once you've opened yourself up you'll find a whole new world of cinema. Enjoy!

Infernal Affairs

A story between a mole in the police department and an undercover cop. Their objectives are the same: to find out who is the mole, and who is the cop.

Directors: Wai-Keung Lau (as Andrew Lau), Alan Mak
Writers: Alan Mak, Felix Chong
Stars: Andy Lau, Tony Chiu Wai Leung, Anthony Chau-Sang Wong.

Storyline

Chan Wing Yan, a young police officer, has been sent undercover as a mole in the local mafia. Lau Kin Ming, a young mafia member, infiltrates the police force. Years later, their older counterparts, Chen Wing Yan and Inspector Lau Kin Ming, respectively, race against time to expose the mole within their midst.




User Reviews

A deceptively simple idea lies at the heart of this complex thriller: the Hong Kong police and a triad gang both have an informer in each other's organisation: whoever's man picks the enemies' spy first wins the game for his side. Add to that the customary double-agent-doesn't-know-which-side-he-is-on-anymore subplot (doubled, of course), and you have plenty of ingredients for a plot, although it's to the movie's credit that although a little stylised, it never seems false or contrived. Fast-paced and bold, with a generous score, it never insults the viewer's intelligence either, and features just the right level of moral ambiguity. At one level, it's just another thriller, and there's little in the way of wider political or social subtext; but on the other hand, it's a textbook lesson in the art of making this sort of film.

Minority Report

In a future where a special police unit is able to arrest murderers before they commit their crimes, an officer from that unit is himself accused of a future murder.

Director: Steven Spielberg
Writers: Philip K. Dick (short story), Scott Frank (screenplay).
Stars: Tom Cruise, Colin Farrell, Samantha Morton.

Storyline

In the year 2054 A.D. crime is virtually eliminated from Washington D.C. thanks to an elite law enforcing squad "Precrime". They use three gifted humans (called "Pre-Cogs") with special powers to see into the future and predict crimes beforehand. John Anderton heads Precrime and believes the system's flawlessness steadfastly. However one day the Pre-Cogs predict that Anderton will commit a murder himself in the next 36 hours. Worse, Anderton doesn't even know the victim. He decides to get to the mystery's core by finding out the 'minority report' which means the prediction of the female Pre-Cog Agatha that "might" tell a different story and prove Anderton innocent.



User Reviews

The best film to date so far this year as of 8/02! This film is about a John (Tom Cruise) who is haunted by the disappearance of his young son many years ago. To cope with the grief he works at a crime pervanetion network founded by Lamar Burgess (Max Von Sydow) that can predict murders and stop them before they occur. However, one day while at work Tom Cruise is shocked to discover that it is saying he will be the next person to try and commit murder. John thinks that an agent named Danny (Colin Farrell) who is investigating the the unit is trying to set him up. To add to the problems, the person John is accused of trying to murder is a person he does not even know and it says John will kill him in 48 hours.

Fast paced, exciting and deeply moving & thought provoking film. Tom Crusie does good work here. Colin turns in a deliciously nasty performance. However the film belongs to Max Von Sydow who is absolutely genius here. Director Speilberg treats the audience to some highly original and creative visual effects and has presented us with a fun story that covers all the bases. The ending is especially good.

The Bourne Identity

A man is picked up by a fishing boat, bullet-riddled and suffering from amnesia, before racing to elude assassins and regain his memory.

Director: Doug Liman
Writers: Tony Gilroy (screenplay), W. Blake Herron (screenplay) (as William Blake Herron).
Stars: Franka Potente, Matt Damon, Chris Cooper.

Storyline

Based very loosely on Robert Ludlum's novel, the Bourne Identity is the story of a man whose wounded body is discovered by fishermen who nurse him back to health. He can remember nothing and begins to try to rebuild his memory based on clues such as the Swiss bank account, the number of which, is implanted in his hip. He soon realizes that he is being hunted and takes off with Marie on a search to find out who he is and why he is being hunted.




User Reviews

Jason Bourne (Matt Damon) is a highly trained assassin, found left for dead at sea. He wakes to find he has no memory of who he is and he needs answers fast if he is to survive the attempts to erase his existence.

The Bourne Identity is excellently paced and brings a great deal of realism to the spy genre. The fight sequences are fast and believable, the car chases are accurately choreographed and the character of Jason Bourne is vulnerable and easy to identify with.

Matt Damon plays the role with apparent ease, he simply slips into the character and brings him to life. As spy thrillers go The Bourne identity one of the best around.
 
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